Sheila also did collaborative printing with Rauschenberg, Frankenthaler, Motherwell, Arakawa, Segal, Wegman, Shields, and many others. In 1990 she was honored with a 25 year master printers show at Rutgers Zimmerli Art Museum in New Brunswick, New Jersey. In January 1994, assisted by artist friends, Sheila developed a new monoprinting process utilizing the silk screen medium, yet enabling the artist to work directly on the silk using almost all of the drawing tools they are used to using on paper. Art on the Net is a collective of artists helping each other to come up on the Internet and share their works on the World Wide Web. Artists create and maintain studios and rooms in the gallery where they show their works and share about themselves.

This is the best site for looking up various art productions and purchasing prints. Navitrolla is young Estonian artist in his twenties to whom painting ricepaperlamps has become his life''s work. Taking a brief look at his pictures one may wonder if he is a naivist. He isn''t. He doesn''t create art "innocently" as the naivists do, but acts according to a mysterious programme, known maybe to Navitrolla or to no one if he doesn''t. You don''t know what to think of it. Maybe it makes you angry, or maybe it makes you laugh. Now, when you have seen his picture''s maybe you would like to know more about Navitrolla''s life. Please, come into the Navitrolla''s Life to read about it! If You would like to inspect how Navitrolla looks like, come into the Navitrolla''s Photos.

How can I protect my works on paper from light damage? Even though your artwork may be framed under UV filtering acrylic sheeting, the intensity of the light and duration of exposure is a concern. Try to avoid direct and excessive daylight. Close window curtains or drape the artwork when possible. Windows can also be covered with a film or a screen that will lower light intensity and ultraviolet rays. If possible take down the artwork periodically and exchange it with another piece, allowing the work to "rest" in storage. The most light-sensitive materials include watercolors and gouache, modern color inks, pastels, newsprint and all color papers. It is important to remember that light damage is cumulative and irreversible.. My solid wood sculpture is cracking in the vertical direction. What can I do?Q. I have an outdoor bronze sculpture. How should I take care of it?

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